剧情简介:"The primary ‘Molten Horror‘ is TV - though there are other horrors metaphored in the film. Four superimposed rolls of hand-painted and bi-packed television negative imagery are edited so as to approximate the hypnagogic process whereby the optic nerves resist grotesque infusions of luminescent light." -S.B.
剧情简介:“The hand-painted work six years in-the-making (37 in the studying of The Divine Comedy) demonstrates the earthly conditions of ‘Hell‘, ‘Purgatory‘ (or Transition), and ‘Heaven‘ (or ‘existence is song,‘ which is the closest I‘d presume upon heaven from my experience), as well as the mainspring of/from ‘Hell‘ (Hell Spit Flexion) in four parts." -S.B.
剧情简介:"This film presents the voice of a child play-singing in relation to full orchestral ‘takes‘ of The Times and visually juxtaposed with children-at-play (my grandchildren Iona and Quay Bartek) in Americana backyard. They are seen, as in dream, to be already caught-up in ── yet absolutely distinct ── from the rituals of adulthood." -S.B.
剧情简介:布莱凯吉这段时期最精心创意的一部作品是《夜的期待》(Anticipation of the Night,1958)。这部以抒情方式处理,回溯关于一个自缢身亡男子的模糊心理剧。片中的主要人物甚至不是一个身体,而只是一个影子。全片主要就是探索视觉世界里的平面、色调与动作。来势汹汹的手持摄影机,使得光线划掠并模糊整个画面。布莱凯吉藉由画质或色彩连接镜头,像是当他将一个布满光纹的延展夜晚,接上穿梭于树梢间的闪烁光火。《夜的期待》奠定了抒情影片,成为美国对前卫电影最重要的贡献。