罪恶之地 (1933)

       In LOT IN SODOM, distortion is often used to keep reality, or rather its appearance, from disturbing the film‘s mood. And in the final scene distortion makes Lot‘s daughter seem not only different but formidable as she grasps the wine cup. - J.S. Watson, Jr.
标签#美国 / 短片 / 超现实 / 实验 / 1930s / 美国电影 / 1933 / avant-garde#

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